Skip to content Fonts Browse fonts Featured Articles About Poppins Select styles Glyphs About License Pairings Styles Almost before we knew it, we had left the ground. Type here to preview text Thin 100 Almost before we knew it, we had left the ground. Thin 100 italic Almost before we knew it, we had left the ground. Extra-light 200 Almost before we knew it, we had left the ground. Extra-light 200 italic Almost before we knew it, we had left the ground. Light 300 Almost before we knew it, we had left the ground. Light 300 italic Almost before we knew it, we had left the ground. Regular 400 Almost before we knew it, we had left the ground. Regular 400 italic Almost before we knew it, we had left the ground. Medium 500 Almost before we knew it, we had left the ground. Medium 500 italic Almost before we knew it, we had left the ground. Semi-bold 600 Almost before we knew it, we had left the ground. Semi-bold 600 italic Almost before we knew it, we had left the ground. Bold 700 Almost before we knew it, we had left the ground. Bold 700 italic Almost before we knew it, we had left the ground. Extra-bold 800 Almost before we knew it, we had left the ground. Extra-bold 800 italic Almost before we knew it, we had left the ground. Black 900 Almost before we knew it, we had left the ground. Black 900 italic Almost before we knew it, we had left the ground. Glyphs ABCČĆDĐEFGHIJKLMNOPQRSŠTUVWXYZŽabcčćdđefghijklmnopqrsštuvwxyzžआईऊऋॠऌॡऐऔअंअँकखगघङचछजझञटठडढणतथदधनपफबभयरवळशषसह1234567890०१२३४५६७८९'?''!'(%)[#]{@}/&\<-+÷×=>®©$€£¥¢:;,.*₹ About Poppins Geometric sans serif typefaces have been a popular design tool ever since these actors took to the world's stage. Poppins is one of the new comers to this long tradition. With support for the Devanagari and Latin writing systems, it is an internationalist take on the genre. Many of the Latin glyphs (such as the ampersand) are more constructed and rationalist than is typical. The Devanagari design is particularly new, and is the first ever Devanagari typeface with a range of weights in this genre. Just like the Latin, the Devanagari is based on pure geometry, particularly circles. Each letterform is nearly monolinear, with optical corrections applied to stroke joints where necessary to maintain an even typographic color. The Devanagari base character height and the Latin ascender height are equal; Latin capital letters are shorter than the Devanagari characters, and the Latin x-height is set rather high. The Devanagari is designed by Ninad Kale. The Latin is by Jonny Pinhorn. To contribute, see github.com/itfoundry/poppins Designers Avatar of the designer Indian Type Foundry Principal design Indian Type Foundry (ITF) creates retail and custom multilingual fonts for print and digital media. Started in 2009 by Satya Rajpurohit and Peter Bil'ak, ITF works with designers from across the world. ITF fonts are used by clients ranging from tech giants like Apple, Google, and Sony, to various international brands. Github | Twitter JP Jonny Pinhorn After completing an MA in Type Design at the University of Reading, Jonny went on to design Karla for Google Fonts. Karla is a popular and quirky sans-serif typeface that supports both Latin and Tamil scripts. His continued fascination with India and Indian languages led him to ITF, where he worked for three years. Jonny continues to work exclusively on Indic scripts—including Shrikhand and Atithi most recently. Jonnypinhorn.co.uk | GitHub | Twitter License These fonts are licensed under the Open Font License. You can use them freely in your products & projects - print or digital, commercial or otherwise. However, you can't sell the fonts on their own. This isn't legal advice, please consider consulting a lawyer and see the full license for all details. Popular pairings with Poppins Open Sans Poppins Open Sans Roboto Source Sans Pro Roboto Slab Lato The spectacle before us was indeed sublime. Apparently we had reached a great height in the atmosphere, for the sky was a dead black, and the stars had ceased to twinkle. By the same illusion which lifts the horizon of the sea to the level of the spectator on a hillside, the sable cloud beneath was dished out, and the car seemed to float in the middle of an immense dark sphere, whose upper half was strewn with silver. Looking down into the dark gulf below, I could see a ruddy light streaming through a rift in the clouds. Terms Privacy Twitter GitHub Selected family Review Poppins Extra-light 200 Black 900 Use on the web To embed a font, copy the code into the of your html @import CSS rules to specify families font-family: 'Poppins', sans-serif;
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I pride myself on storytelling through visual excellence. There's a never ending stream of outdoor media but what elevates a story tends to be the money shot, combined with a relatable angle. Hunting and fishing are rapidly evolving and BHA content needs to be a leader in content to inspire and have the ability to truly fulfill the public land access mission. Through an entreprenurial spirit and a deep desire to tell the public land story with a high level of artistic ability I want to take BHA video and graphics to new levels. I'd love to build on what's existing, refining the results to make a visual product that truly connects with our audience. More than anything right now people want to find fellow travellers on their journey and through cinematic yet approachable video pieces and well executed design we can make that connection. 

I have worked for as a creative for the majority of my working life, from self directed projects to large agency shoots leading a team of 15. I have a huge passion for the farm/field to table movement and create recipes regularly for many brands centered around the ideals that push sustainable eating. As an adult onset hunter and lifelong angler I have a desire to learn about people's stories that I share outdoor spaces and invite viewers along for that ride. I feel like BHA has a very unique network of people passionate about the outdoors who could create a very compelling larger plot arc that would inspire anyone watching. From public land cleanups to culture building meetups and every type of hunt possible.

I have a full understanding of all Adobe products and have used them extensively in video, photo and graphics projects as well as the industry standard Capture One for processing raw photos. I also have done the majority of the music composition for my projects as well, to insure that the result is unique and particular to each story. I use guitars, keyboards and computer composition to arrive with the vibe intact. I'm a quick editor and have learned over the years to trust my instincts and not overwork the details. Everything in the end answers this key question: "Did this element serve the story?"

From run and gun single DSLR productions to cinema cameras with a camera assist pulling focus to audio mixing and a single mic I have all the skills to achieve the best results possible for BHA. I love the interview process and getting to know people through questions, making sure to leave space for their story but always coming back with questions that solidify ideas. Below I'm leaving some of my most relevant video and design projects but have much more to share as needed.  

 

I worked with Lone Wolf Custom Gear to concept a new round of patch hats, based off of the aesthetics of classic park ranger patches and a simplified Lone Wolf logo. That project is a work in progress. 

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Conservation Society is a youtube channel I've started to slowly build on the side and created a logo that communicates the connection to nature while appealing to a more artful and urban demographic. Clean and classic sans serif fonts with considered colors dominate the aesthetic with plans to migrate the design to t-shirts and hats in the coming year. 

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DMC Woodwork is a small job shop in Iowa run by my father. He came to me looking for guidance in refining his brand. Being a master carpenter with a life of experience he wanted to connect to that heritage but also feel relevant to younger customers that were his current clients. 

I spent a few years working with various small run music technologists to refine how their products looked and worked. Interface design is about helping people really see how a product works and experience it properly. I also was establishing visual guidelines and style guides to be used across their product lines and overall brands. Working with physical objects I learned about different printing processes, manufacturing and production scheduling. I was an invaluable resource to help these small niche brands reach a larger audience by projecting quality in graphics and finish. 


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Resume

 

 

Pilsen Photo Co-op / Creative Lead / 2018-present

Leading a small team of creatives producing video and stills content in the outdoor, travel and food industries. From writing and executing wild game recipes to planning and producing multimedia content to client communications and presentations I've used every facet of my abilities to create high level productions. Delivering the highest value possible for the production budget I found ways to creatively soundtrack, edit and create video/stills hybrid products that help our clients have a rich viewing experience for their audience. 

Clients of note: Hunstand, Worksharp, Made with Meat!/AOB, Visit KC, Visit South Dakota, MMGY, Iowa DNR, Fox & Pearl, MO BHA Chapter, Kansas City Magazine, Feast Magazine, Esquire. 

Nordstrom.com / Product Photographer / 2018-present 

Freelance/flex postition during high volume seasons shooting high end apparel to exacting standards in repeatable fashion. Worked with main studio manager in Seattle to formalize product videos and elevate simple videos to communicate quality to consumers. Refined lighting setups to improve consistency and workflow speed for efficiency including set building and modification. 

Caleb Condit Photography / 2004 - 2018 / Chicago/Madrid/Minneapolis

Lead Photographer / Business Owner servicing fashion, editorial, food and music clients with photo, video and design output. Utilized writing and presentation skills to land clients, communicate creative goals for pitches and garner confidence from creative partners. Led with an entreprenurial spirit to find new projects in a rapidly changing business environment in 2 countries and 3 major cities.

Clients of note: CS magazine Chicago, Vice, Jose Cuervo, Tendencias, Cut Copy, Pitchfork media, Tasting Table, Refinery 29, Trunk Club/Nordstrom.